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Piano-Duo Tal & Groethuysen

When Yaara Tal & Andreas Groethuysen joined forces as a provisional piano duo in 1985 on the occasion of a single concert, they could of course not estimate the significance of this step either for themselves personally or for this genre as a whole. However, the unforeseeably positive artistic development and the never-ending interest on the part of the record label SONY CLASSICAL and the international concert market allowed the duo Tal & Groethuysen to mature into one of the most programmatically exciting and tonally-aesthetically perfect piano duos ever. Their recordings have been honoured five times with the "ECHO Klassik", since then once with the OpusKlassik 2021, eleven times with the "Preis der Deutschen Schallplattenkritik", the annual prize of the Ruhr Piano Festival 2022, the "Cannes Classical Award", the "Schwabinger Kunstpreis", etc.

After Andreas and Yaara devoted the first years of their career primarily to the more difficult and, to the outside world, initially not quite so effective playing on one piano, the duo shifted this focus in the years that followed - and also enjoys performing and producing the fascinating, in part still unknown repertoire for two pianos. .

Selection of the planned dates

D - Wasserburg Rathaussaal
„About Mozart“ zu 4 Händen
D - München
(Schloss Nymphenburg)
Liebesliederwalzer & Beethoven 5. Symph.
Kartenbestellung unter
D - Herne
Klavierfestival Ruhr
Fantasien und Variationen
D - Bad Kissingen
Kissinger Sommer
Symphonisches Programm
D - Bayreuth
Mozart, Schubert, Bizet etc.
A - Schwarzenberg
Symphonisches Programm
I - Milano
Febel (Kunst der Fuge)
I - Torino
Febel (Kunst der Fuge)
F - Rungis
Piano & Piano festival
Mozart, Saint Saens, Febel
A - Salzburg
D - Munich
Bayerische Akademie der Schönen Künste
Febel in conversation
12.11.2022, 8 pm
A - Salzburg Mozarteum
Herbsttöne Mendelssohn
Octet with students
CH - Baden
Fügsame Fugen? or Tracing Bach
with Alain Claude Sulzer
CH - Basel
Gare du Nord
Fügsame Fugen mit Alain Claude Sulzer
D - Ludwigshafen
Symphonic programme
D - Landsberg
About Mozart
CH - Glarus
About Mozart
D - Essen
Klavier-Festival Ruhr
Museum Folkwang
1923 - Musik und bildende Kunst - Yaara
D - Munich
BR - Studio (live concert)
Musik um das Jahr 1923
D - Herrenchiemsee
D - Moers
Klavier-Festival Ruhr
Schubert pur
D - Schloss Elmau
Haydn Gipfel
CH - Gstaad
Menuhin Festival
Fügsame Fugen
Yaara mit A.C. Sulzer (reading)


15.9.2022 Milan
+ 16.9.2022 Torino
+ 30.9.2022 Rungis (Paris)
+ 3.10.2022 Salzburg
+ 5.10.2022 Munich

Great success with international audiences for Reinhard Febel's studies on Bach's Art of Fugue. Enthusiastic and devout, always impressed and moved is the reaction to this work. In Milano, Torino, Salzburg and Munich, only this composition was on the programme; at the Piano Festival in Rungis, works by Mozart and Saint-Saëns were also heard.

Here are some press voices (translated from Italian and French) and the corresponding photos.


„....For eighty-five minutes, the ideal performers Tal & Groethuysen shaped Bach's notes and the revised notes with emotional tension and created expressive moments of excellent quality. The audience appreciated Febel's work and of course the excellent interpretation of the two outstanding pianists.“ (Cesare Guzzardella)

Foto: Aldo Banfi Associazione XMITO Foto: Aldo Banfi Associazione XMITO Foto: Aldo Banfi Associazione XMITO Foto: Aldo Banfi Associazione XMITO Foto: Aldo Banfi Associazione XMITO

Photos: Aldo Banfi Associazione XMITO


Rungis Piano-Piano Festival 2022

„...We admire the interplay between the two musicians, which was particularly impressive in Saint-Saëns' Variations on a Theme of Beethoven, a difficult score whose myriad pitfalls our duo only laughs at. In addition to its brilliance and wide dynamic range, it is the finesse with which it runs through the fast passages while maintaining a pianissimo nuance: true virtuosity.“ (Bertrand Boissard)

Foto: Nathanael Charpentier Foto: Nathanael Charpentier Foto: Nathanael Charpentier Foto: Nathanael Charpentier Foto: Nathanael Charpentier Foto: Nathanael Charpentier Foto: Nathanael Charpentier Foto: Nathanael Charpentier Foto: Nathanael Charpentier Foto: Nathanael Charpentier

Photo: Nathanael Charpentier


Munich - Bayerische Akademie der schönen Künste

„...Some fugues have to be played very slowly, some enormously fast, sometimes the structures become clearer, sometimes they almost blur: this is immensely exciting to listen to, and anyone who ever got a little tired during a one-and-a-half-hour complete performance on harpsichord or organ will stay wide awake here, because every moment something else unexpected and enlightening happens."
Klaus Kalchschmid, SZ 6.10.2022


Salzburg - Mozarteum

Photo: Christian Schneider / Universität Mozarteum

Schubertiade Schwarzenberg 25.8.2022
The Symphonic Quartet with Schubert

For the first time with violinist Ye-Eun Choi, the quartet achieved great success in front of a packed Angelika Kauffmann Saal. Spontaneous jubilation after the first performance of the C major symphony. The echo in the press also gave reason for satisfaction: "These four create a kind of symphonic chamber music with beautiful blossoming sound, great concentration and intense togetherness. The roaring climaxes are completely organic, the melodies, which presumably everyone in the hall can sing along with, blossom and are passed on. Schubert's "celestial lengths" present themselves in all their freshness and original musical power.“

"The equally likeable and convincing piano duo of the Israeli Yaara Tal & and the German Andreas Groethuysen, regulars at the festival since 1994, is the ideal cast for this, competently supported by the South Korean violinist Ye-Eun Choi and the Munich cellist Raphaela Gromes."

Foto: Schubertiade Foto: Schubertiade Foto: Schubertiade Foto: Schubertiade

Photos: Schubertiade

The winner of the Ruhr Piano Piano Festival Prize 2022 is the Duo!

Each year the Ruhr Piano Festival honours artists whose life’s work is closely connected with the Ruhr Piano Festival.

The recital this year on July 8th

Tracing Bach

A lengthy review of Tracing Bach on the polish radio:

Tracing Bach in the Italian press:

"Ogni disco di Yaara Tal, sia solistico - come in questo caso - che in duo col marito è ricco di prelibatezze. … Virtuosismo su livelli eccezionali ma non fine a se stesso, al servizio del contrappunto bachiano."

James Manheim reviews Tracing Bach on Allmusic:

„….but whether one accepts the idea or not, what Tal has accomplished here is a novel way of demonstrating the resonances of Bach's music in later eras, and that's something to celebrate. Sony Classical's sound from the studios of Bavarian Radio is ideal“.

MiTO Festival
Goldberg Variationen
Milano: Teatro dal Verme
Torino: Conservatorio Verdi

A beautiful journey and two events in inspiring halls. Please find this interview from Turin, as well as a very qualified review:

Now it is official: the duo wins the OpusKlassik Prize 2021 in the category Chamber Music Recording of the Year. The award-winning CD is Reinhard Febel's Studies after J.S.Bach's Art of Fugue.


Jewish Telegraph, Friday August 13, 2021
Brother's birthday pianowas kex to Yaara's success

T&G was awarded the Critic’s Choice in the category Keyboard music for their CD with Febel’s Studies on The art of Fugue:

„Yaara Tal and Andreas Groethuysen, who commissioned these eighteen studies, play them with breathtaking clarity and conciseness. The most intricate rhythms take on natural ease, the elaboration of themes and secondary voices, the most refined dynamic gradations, and, last but not least, an extremely changeable piano sound that makes this recording a breathtaking experience". For the jury: Gregor Willmes

Yaara plays the Karol Rathaus piano concerto in a live recording from Warsaw (31.8.2018) on August 7th 2019.

National Theatre Warsaw

As part of the Festival „Chopin and his Europe“ Yaara played the Concerto for Piano and Orchestra, op. 45, by Karol Rathaus, together with the Warsaw Philharmonic Orchestra conducted by Jacek Kaspszyk.

Karol RathausThe composer Karol Rathaus (1895 – 1954) was born in Tarnopol (east of Lviv, in those days Lemberg in Austria, now a part of Ukraine). He studied under Franz Schreker in Vienna and Berlin. His work includes all genres: symphonies, opera, ballet music, chamber music, piano music, etc.

In 1939 he had to flee from Nazi dictatorship and found a new home in the USA, where from 1940 onwards he taught at Queens College, New York.

Rathaus is one the „lost generation“ of artists who - due to war, flight, and emigration - have not received the recognition they deserve.

The Concerto for Piano and Orchestra dates from 1939. It is a serious, yet powerful and forward-pressing work. The musical language is based on a cogent independent tonal system; the material of the motifs is executed rhapsodically and polyphonally; for lengthy passages the piano is closely interwoven with the orchestral sound.

It is a great enrichment of the piano literature of the period, and it is sincerely to be hoped that this composition will find its way into the standard repertoire of piano concertos. Both the work and Rathaus most certainly deserve it.

A wonderful website about Karol Rathaus can be found at:: more

Photo: Wojciech GrzedzinskiPhoto: Wojciech GrzedzinskiPhoto: Wojciech GrzedzinskiPhoto: Wojciech GrzedzinskiPhoto: Wojciech GrzedzinskiPhoto: Wojciech Grzedzinski

Photos: Wojciech Grzedzinski, NIFC

Maestro Reinhard Goebel engaged Yaara for a production with the Munich Radio Orchestra

What links the aria “Wenn man will zu Mädchen gehen” from Dittersdorf's opera Der Apotheker und Doktor (The Doctor and the Apothecary) with the aria “Se voi bramate” from the opera Il re Teodoro in Venezia (King Theodore in Venice) by Paisiello and a further twenty arias from the 1780's?

They were extremely popular in Vienna at that time and could be heard everywhere, and the composer Ferdinand Kauer (1751 – 1831), who is completely forgotten today, moulded them into a fantasia for a keyboard instrument.

A modern version of this work for piano and orchestra was produced in the middle of June 2017 by the Munich Radio Orchestra under Reinhard Goebel with Yaara at the piano.

Photo: Ulrich PlutaPhoto: Ulrich PlutaPhoto: Ulrich Pluta
Photos: Ulrich Pluta 

Studies based on Bach’s “The Art of Fugue” for two pianos
by Reinhard Febel (born 1952)

Commissioned by the Ansbacher Bachwoche (Ansbach Bach Week)

Studien nach Bachs Kunst der Fuge von Reinhard Febel

It seems a bit strange. Bach’s fugues as originally written are complex and in themselves - as it were - perfect, and now a contemporary composer turns up and wants to further develop this polyphonic structure. How can that work?

Studies can be understood as a synonym for études, the sort of exercise composed by Czerny, for example, or on a higher level, by Chopin or Debussy. In other words, pieces of music that enable the performer to practise a specific musical difficulty and that increase his competence by being constantly repeated. They can be rhythmic, pianistic or purely tonal exercises.

But studies can also be understood as compositional études, in other words pieces that demand that the composer practises a certain skill. The difference being that the composer doesn’t start from scratch, but takes a piece that already exists as his starting-point and “practises” on it.

“A study based on” can therefore also be understood as “a fantasy on” or “inspired by”. It is possible for a composer to hear a work by another master and be completely thrilled or even aroused by it - he would really love to have written it himself. But that is of course impossible. What he can do, though, is give free rein to his own creativity, set it free and lend it wings and present the result as a “study”.

In Febel’s case all these interpretations apply. The two pianists will have to practise a great deal together to master the work, and the composer had to study the brilliant original very carefully in order to understand it properly, to devise and to develop such ingenious and exquisite modifications.

In Ansbach seven out of the total of eighteen studies were perfprmed. We hope that in the course of the next few years we will be able to gradually work on all the remaining studies and eventually perform them as a full evening’s recital.

Komponist Reinhard Febel; Foto: Jim Albright
Composer Reinhard Febel, Photo Jim Albright

Photo: Bachwoche AnsbachPhoto: Bachwoche AnsbachPhoto: Bachwoche AnsbachPhoto: Bachwoche AnsbachPhoto: Bachwoche AnsbachPhoto: Bachwoche AnsbachPhoto: Bachwoche Ansbach
Photos: Bachwoche Ansbach

Arnold Schönberg Center
24.3.2015 - Successfull concert with Yaara Tal from Piano Duo Tal & Groethuysen, with her first solo program.

Tal & Groethuysen  Tal & Groethuysen
Tal & Groethuysen  Tal & Groethuysen

"1915": CD-Release 14.08.2015!

It is more than two years since our last recording session for a CD containing only piano duets. That was the „Götterdämmerung” CD, which heralded the start of the Wagner year of 2013 for us. Our homage to Wagner was, however, unthinkable without Debussy; in the course of that year and in 2014, too, we frequently and with great pleasure performed our programme “Twilight of the gods. Homage to Wagner on both banks of the River Rhine” and thereby developed a specific taste for Debussy. It was a stroke of fate that we studied the transcription of “La Mer” (version for two pianos by A. Caplet) in order to realise our project “Traummeer”, and it fitted in very neatly with our plan to focus more intensively on music from France in the next few years.

So in the first few days of the New Year we recorded a new CD of piano duets with works by Reynaldo Hahn and Claude Debussy. All the works are “French children of war” and reflect the intellectual and emotional state of these two composers in the second year of carnage.

More detailed information about the CD can be found under "1915".

The CD is a co-production by Sony and the Bayerischer Rundfunk (Bavarian Broadcasting Corporation) and was recorded in Studio 2 at the BR. We have special memories of this recording mainly because of two pleasant experiences. The beauty of the Steinway grand pianos was out of this world, and they were capable of rare tonal modulation. And – although it is hard to believe – the very first positioning of the microphones simply worked. There was no need – as is often the case – for wearisome trying out. This was a masterly achievement by the sound design team, and we would here like to thank the excellent team: Christian Rabus (piano tuner), Jörg Moser (tonmeister), Gerhard Wicho (sound engineer), Bernadette Rueb (sound technician), Rolf Müller (sound assistant) and - last but not least – Falk Häfner (editor).

At the end of our time in the studio we took several photos of the entire team – but unfortunately none of them is really usable. So that at least an idea of the atmosphere can be conveyed in pictorial form, here is nevertheless a photo with two grand pianos and three gentlemen (l. – r.: Christian, Jörg and Gerhard) ...


Yaara's first solo album: Haydn: The Seven last Words of our Saviour on the Cross

In the last days of October 2013 I recorded a solo CD. The main feature was Haydn’s passion music “The Last Seven Words of our Saviour on the Cross.” Originally composed for an orchestra, the version for a string quartet is part of the standard repertoire for this genre. What is not so well-known is that there is also a version for a keyboard instrument. When the publishers Henle produced a reliable edition of the work some years ago, I was attracted to the idea of one day giving voice to this meditation on the piano.

Yaara Tal

Yaara Tal
Gustav Eckart

A Call from Salzburg

From the Winter Semester 2014 onwards there will be a major change in our life, since we will start teaching at the Mozarteum in Salzburg. The institution and the city itself have always exercised a great fascination - not only for the two of us - and we are both curious and excited as we look forward to this new chapter in our lives.

To be more precise, the greater share of the new workload will fall on Andreas, since in addition to our joint speciality, piano duos, he will also be teaching a class for solo pianists. Naturally, this new task will force us to organise our routine of concerts and daily practice even more strictly, and we will therefore have to manage the commodity “time” even more conscientiously. A wonderful and exciting challenge.

5th ECHO Klassik for the Concert Recording of the Year (20th/21st century music)

Prize winners with the album: Ralph Vaughan Williams: Concerto for twoPianos & Orchestra/Symphony No. 5 (Sony Classical).


New CD-Release

Avec Esprit
Gouvy, Ysaÿe, Saint-Saëns, Mélan-Gouéroult
Duo Tal & Groethuysen

Avec esprit

Release: March 03, 2023
Label: Sony Classical

Tracing Bach
J. S. Bach and 10 other composers
(L.F. Prinz von Preußen, Alkan, Chopin, Feininger, Febel etc.)
Yaara Tal

Tracing Bach

Release: August 8, 2021
Label: Sony Classical

Beethoven's World
Beethoven • Wranitzky • Reicha • Vorizek: Concertos

Christian, Eß, Koncz, Mönkemeyer, Schwamm, Tal
Münchner Rundfunk Orchester
Reinhard Goebel

Beethoven's World

Release: January 29, 2021
Label: Sony Classical

Beethoven's World
Concertos for 2 Pianos

Duo Tal & Groethuysen
Frankfurt Radio Symphony
Reinhard Goebel

Beethoven's World

Release: October 16, 2020
Label: Sony Classical


Reinhard Febel
18 Studies on "The Art of Fugue"

Duo Tal & Groethuysen

Kunst der Fuge

Release: August 14, 2020
Label: Sony Classical

Preis der Deutschen Schallplatten Kritik  

On the occasion of Clara Schumann’s 200th birthday on September 13th 2019:

Homage to Clara Schumann

Yaara and friends


Release: August 9, 2019
Label: Sony Classical

Compl. Piano Music
for four hands

Schubert: Das Gesamtwerk für Klavier zu 4 Händen

Available April 26, 2019
Label: Sony Classical


Karol Rathaus
Concerto for piano
and orchestra op. 45

Yaara Tal

Yaara Tal - Tansman

Release: February 2019
Label: The Fryderyk Chopin Institute